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Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to ...
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a ...
Terence Rattigan's rehabilitation – some might almost say deification – as a leading 20th Century playwright is complete. As ...
Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the ...
Terence Rattigan's rehabilitation - some might almost say deification - as a leading Twentieth Century playwright is complete ...
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life.
Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible ...
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived ...
I think The Ballad of Wallis Island is the best British romcom since I Know Where I’m Going! (1945), which it closely ...
It’s intoxicating, not at all theartsdesk on Vinyl ’s usual thing but achieving soaring lift-off, nonetheless. Comes in photo ...
Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between ...
Director Ben Rivers is primarily an artist, and it shows. Every frame of Bogancloch is treated as a work of art and the ...
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