Edward Steichen left a creative wake of Mozartean dimensions. There was not much that he didn't do, and do extraordinarily well. Landscapes, architecture, theater and dance, war photography—all ...

J.P. Morgan sat for two minutes; one of the resulting portraits defined his reputation. Edward Steichen “No price is too great,” John Pierpont Morgan once declared, “for a work of ...

Through photographic, textile and floral works, Oppenheim offers an unexpected portrait of Edward Steichen, one of the most renowned yet enigmatic figures in twentieth-century photography. In February ...

Before Edward Steichen joined the U.S. Navy in January 1942, he had been chief photographer for Condé Nast magazines Vogue and Vanity Fair, a commercial photographer for the J. Walter Thompson ...

Wayne F. Miller Of the 503 photographs by 273 photographers that were in Edward Steichen's landmark "Family of Man" exhibition in 1955, one may best reflect the show's title. Made on September 19 ...

Read more at http://www.smithsonianmag.com/arts-culture/In-Vogue.html At 62 years old, Edward Steichen convinced the U.S. Navy to let him gather a team of ...