In the heartwarming tale, the mean, green Grinch disdains the annual Christmas festivities of the cheerful Whoville residents from a solitary distance. Fed up, he carries out a plan to stop ...

Rather, it attends to the particular—two artists, two spiritual vocabularies, two aesthetic grammars—in order to suggest something larger: that faith, like art, is never static. It moves. It returns.

Despite the temperatures and cutting wind, many paused on the sidewalk to play with a nearby control panel, eager to find out what surprising light ... the art walk, including the giant Christmas ...

Naturally, then, the Grinch hates the Whos in Whoville, who string up the lights, hang the holly Who-wreath, and play with the confoundingly loud jing-tinglers, floobfloobers, and tar tinkers. He ...