There are hundreds of art exhibitions throughout the UK which are worth attending. But it’s not possible to access all of them within the given timeframes, so we’re going to take a look at the best ...

As the University of Warwick turns 60, it is choosing to mark the occasion not with speeches and ceremonies, but with bold colour, creative energy and a striking gesture to its future. The centrepiece ...

VRHAM!, Hamburg’s leading festival for Virtual Reality art, is evolving and will debut as an independent biennale, redefining the landscape of digital and immersive art. From June 11–18, 2025, VRHAM! ...

We all wear masks — one for the boss, one for the lover, another for the mirror. Which one tells the truth? Maybe none. Maybe survival means not asking. But the body remembers. That itch under the ...

Ghanaian painter Gideon Appah is making his Paris debut with a new series of large-format works on view at Gallery 1957. The exhibition, titled Beyond the Shadows, is the gallery’s first project in ...

This March, Carolyn Dailey, the British-American entrepreneur and former Time Warner executive, releases her first book, The Creative Entrepreneur. Drawing on interviews with ten leading figures ...

MadC made her name in graffiti, working large-scale and outdoors, long before her paintings entered galleries. Over time, her materials changed—glass, canvas, digital forms—but the sense of movement ...

With I Do Not Come to You by Chance, Amoako Boafo makes his first solo appearance in the United Kingdom, inaugurating an exhibition at Gagosian’s Grosvenor Hill gallery that is as much a portrait of ...

The show does not trade in grand gestures. Instead, it dwells in the moments where boundaries blur: in the touch of a hand, the pause between words, the unease of proximity, or the ache of solitude.

In an age hooked on dopamine hits, algorithmic approval, and swipe-sized intimacy, British artist Mitch Griffiths moves against the current—with the slow, deliberate gravity of oil paint. His canvases ...

Five years ago, Alexandra Johnson was painting alone in her kitchen — children napping, the world locked down, grief still heavy in the air. There was no gallery representation, no auction buzz, no ...

In a time when so much contemporary art has turned to narcissistic celebrations of the self—self-portraits (look at me!), narratives of the artist’s life (look at me!), or simple sensationalist pranks ...