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At Danny & Coop’s, the actor and director partners with a Philadelphia restaurateur to bring that city’s beloved sandwich to ...
The story itself is about telling lies and about telling stories, and where these two things intersect in the life of a boy ...
Right-wing ideologues have long fantasized about the prospect of mass self-deportation: the Trump Administration is ...
The space between the singer and the photographer’s lens is slippery, inaccessible; you’re not sure you were even invited.
In Andrew Ahn’s remake of Ang Lee’s 1993 crowd-pleaser, two gay couples strike a bargain that turns both Faustian and ...
Harvey’s frames portray a convergence of human and natural action, not to synthesize or balance the two but to show the ...
“The destruction I saw there was astonishing.” A detailed account from a doctor who, during the brief ceasefire, spent nine ...
New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The ...
In Courtney Stephens and Callie Hernandez’s dizzying docu-fiction, an Edenic landscape becomes a backdrop for duplicity and ...
In the ruins of a health-care system, many medical facilities have become graveyards. Doctors continue to deliver lifesaving care—but they risk their own lives in the process.
Also: Adam Gopnik on where to eat near the Frick; Sondheim and Chekhov, Marisa Tomei and Lucas Hedges on stage; the kinetic ...
Pope Francis has long advocated for immigrants, refugees, and the vulnerable—but the Church, like other institutions, may need to find new ways to sustain its commitments.
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