Last Breath is the latest true story thriller to premiere in theaters, offering a shocking look into a real deep-sea rescue mission.

Finn Cole shares his interpretation of Last Breath's final moments on the red carpet, writer Mitchell LaFortune praises Woody Harrelson's stunts, and director Alex Parkinson & composer Paul Leonard-Morgan reveal how long they'd last underwater.

Alex Parkinson tells TheWrap why he had to fight to land the job of adapting his own acclaimed documentary from 2018.

Get to know the "absolutely astonishing" true story behind the new movie "Last Breath," which chronicles a 2012 deep-sea diving accident.

Woody Harrelson and Simu Liu race to save a deep-sea diving colleague in this dramatization of a true-story search and rescue.

In September 2012, while attempting to repair an oil pipeline off the coast of Scotland, the diving support ship Bibby Topaz lost control of the automated system of thrusters that held it in place above the repair crew. Buffeted by winds and swells, the ship began to drift away from the divers, 300 feet below on the ocean floor.

“Last Breath” continues an ongoing trend of fictionalized remakes of the events covered in a prior documentary. This movie uses the 2019 documentary of the same name as its basis. Both films were directed by Alex Parkinson, who uses real-life footage of the people involved during the closing credits of this fictionalized version.

Alex Parkinson's film is about a saturation diving accident that took place in 2012. In its journalistic way the film takes you down and lifts you up.

iSpot shows that Focus spent roughly half on TV linear ads for Last Breath ($5.1M) than they did for their second-highest grossing hit of all-time stateside, Nosferatu ($10.9M), but that not far from their Oscar nominated Best Picture, Conclave ($6.1M).

Harrelson, Simu Liu, and Finn Cole star in a suspenseful dramatization of saturation diving gone wrong.

As an individual with thalassophobia (fear of deep bodies of water), it doesn’t take a lot to scare me away from a deep pool, let alone the sea. It takes

A movie of barely sketched personalities and trite emotional stakes (the lovely Bobby Rainsbury, as Lemons’s anxious fiancée, is especially underserved), “Last Breath” is disappointingly shallow and fatally lethargic. Harrelson, though, seems delighted: Perhaps only Woody could headline an action movie and be virtually stationary for the duration.