Harper's BAZAAR: What was your role on the film? Oliver Garcia: My role was to present ideas for a new direction for the design of Maleficent's character and then designing and overseeing the team ...

It was a great challenge on all fronts." Ahead of Maleficent: Mistress of Evil's release, Mirojnick provided ET with an exclusive look at her design sketches (below) and discussed the process of ...

By building a realistic pixie—then getting rid of it. It's hard to believe, but the VFX teams behind Maleficent found that fully crossing the uncanny valley requires a pit stop somewhere in the ...

Team Maleficent’s attention to Jolie’s costumes ... Sheppard, who oversaw the overall design of Jolie’s gowns, stepped onto the project with just eight weeks of prep time after the departure ...

This third alternate Maleficent design is a lot closer to what they eventually settled on. It doesn’t obstruct Angelina Jolie’s face, but it allows her free-flowing hair to stay out ...

Also, Maleficent has been reunited with her wings, which are CGI, but still involved prosthetic "nubs" and hidden harnesses for Mirojnick to design around starting from the inception.

Maleficent is a well-intentioned ... and some of the CGI), to solid (much of the CGI), to appalling creature design (several of the fey animals meant to entice the kids). When all is said and ...

The Maleficent-inspired look has a fitted sheath design with shimmering green velvet and lace appliqués layered over black organza. The ivory version is adorned with chiffon lace accents for a ...

With the help of prosthetic appliances, contact lenses and a team led by creature-design whiz Rick Baker, Maleficent has iridescent eyes and cheekbones like knives. Jolie gives her a regal bearing ...