The tale of Paul Narce is a vivid reminder that the treasures we hide can become both our legacy and our undoing.

An artist who was once uprooted from her homeland has spent decades transforming works of nature into works of art. Michelle San Miguel of Rhode Island PBS Weekly has the story from the woods of New ...

In short, reconstructing old dances isn’t easy. On the other hand, that process of rebuilding is inherently interesting. This is what the Paul Taylor Dance Company has been up to for the past few ...

Tel Aviv’s first mayor, Meir Dizengoff, was ruminating about a Jewish art museum in Eretz Yisrael when he invited Marc Chagall to visit him in the spring of 1931. While they were discussing potential ...

Impressionism is the world’s favourite art movement. Impressionist paintings create an oasis of beauty into which a viewer can escape from a sometimes dark and troubling world, or simply from ...

It features some of the greatest names in French Impressionism, including Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, Édouard Manet, Mary Cassatt, Berthe Morisot, Paul ...

In the history of Neo-Impressionism, Maximilien Luce (1858-1941) has always held an unfortunate position, at the end of the list that inevitably starts with Georges Seurat (1859-1891) and Paul ...

The French Riviera's characteristic Mediterranean architecture with its light facades and its captivating coastal scenery ...

Artists > Joseph Victor Roux-Champion > Artworks > Portrait of Paul Signac FOLLOW ARTIST Portrait of Paul Signac, 1927 Etching and aquatint Prints & Graphic Art 7.5 x 5 inches (19 cm x 13 cm) 13.25 x ...

French, 1863–1935 Works Exhibitions Publications Works 19 works online Paul Signac Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix ...

Literature Paul Signac and Gaston Lévy, Pré-catalogue, circa 1929-32, p. 435, illustrated Françoise Cachin, Signac: Catalogue raisonné de L'œuvre peint, Paris, 2000, no. 513, p. 306, illustrated Exh.